Thank you for stopping by this page! Feel free to contact me with any questions you may have. The below videos are of myself performing with composer and pianist Russell Ronnebaum.
Danny Elfman Suite, arr. by Russell Ronnebaum
Performed by Russell Ronnebaum and Meily Mendez
"Serpent's Kiss" from Garden of Eden Suite by William Bolcom
Performed by Russell Ronnebaum and Meily Mendez
Alexander began studying piano with his father at the age of four in Kiev, Ukraine. After a highly acclaimed performance of the Grieg’s Piano Concerto at age twelve, he was recommended for studies at the Gnessin Music College in Moscow, Russia, the oldest music college in the country. He continued his piano education at the Gnessin Russian Music Academy with Professor Theodor Gutmann, a student and assistant of Heinrich Neuhaus, one of the most important piano pedagogues and performers of the 20th century. Alexander teaches in the great Russian piano tradition focusing on developing technique through the natural physical movements and beautiful piano tone through the method of relaxation and mindful control.
Alexander made his American orchestral debut with the Tucson Symphony Orchestra in Beethoven’s Concerto #4. He has also performed as a piano soloist with the Southern Arizona Symphony Orchestra, Sierra Vista Symphony, Catalina Chamber Orchestra, Arizona Symphonic Winds and Lake Placid Sinfonietta.
Tentser and his wife Anna Gendler performed as a violin and piano duo in the Dame Myra Hess Music Series in Chicago, Arizona Friends of Chamber Music Series in Tucson, and they have also frequently appeared with the Daystar Chamber Ensemble and St. Michael’s Chamber Players performing piano trios, quartets, and quintets with various other Tucson musicians.
Alexander graduated from the University of Arizona with a Doctor of Musical Arts Degree in Piano Performance where he studied with Professor Nohema Fernandez. He was a winner of the University of Arizona President’s Concerto Competition. Presently, Tentser teaches music courses at Pima Community College Orchestra in Tucson and maintains a private piano studio of children and adult students.
I have many years of performing and teaching experience, internationally, all the time receiving joy from doing something that inspires creativity and passion, for both student and teacher. Whether child or adult, beginner or advanced, each of my students receives my undivided attention and commitment to excellence.
My style is dynamic, energetic, caring and enthusiastic.
My goals are to show my students how to make practicing easy, how to experience joy through music, and, ultimately, how to communicate artistically through the piano.
My primary goal is to help my students to become superlatively competent and confident pianists and musicians, and to inspire them to be successful artists and great human beings.
All levels! All ages starting from 3 years old.
Live Online Lessons Available!
Artist, pianist and educator Maria Helena Ferraz, D.M.A., enjoys a career encompassing a broad spectrum of piano solo, chamber music and solo with orchestra performances. She has performed in Brazil, Italy, Spain, Switzerland, Colombia and the USA. A versatile pianist with a continuing commitment to new music, Dr. Ferraz has performed various premières, internationally. For her Doctoral Qualifying Recital, she performed the World Première of "Fantasia Ecológica" by Almeida Prado, one of the most prominent Brazilian contemporary composers. "Fantasia Ecológica" was dedicated to Maria Helena Ferraz, after the success of her première of Almeida Prado's piano Concerto "Fribourgeois" with the Fribourg Orchestra, in Switzerland. She has had other compositions dedicated to her by various prominent composers including Almeida Prado (Brazil), Ernst Mahle (Brazil), and Christopher Voisé (Poland).
Dr. Ferraz's appearances as a soloist with orchestras include the Orchestre Jeunes de Fribourg, in Switzerland, the São Paulo State Symphony, one of the major Orchestras in Brazil, the Hartt Symphony Orchestra in the USA, and the EAFIT Symphony Orchestra in Colombia, among others. Her performances with the São Paulo State Symphony Orchestra were broadcast live by the Rádio Cultura São Paulo. Maria-Helena Ferraz has collaborated with the finest conductors such as Théophanis Kapsopoulos (Switzerland), Arthur Winograd (USA, former Hartford Symphony Artistic Director and cellist founder of the Juilliard String Quartet), Cecilia Espinosa (Colombia), Diogo Pacheco and Ernst Mahle (Brazil), among others.
Chamber music has formed an important part of Dr. Ferraz’s career. She has collaborated with numerous international finest instrumentalists including Elisa Fukuda, Luis Carlos Justi, Martin Tuksa, Washington Barella, Paulo Rogério Arantes (Brazil), Nicholas Zumbro, Bridget de Moura Castro, Gretchen Miller, Michael Grossman, Zoran Stilin, Vivian Podgainy (USA), and Jarmila Janecek (Switzerland).
Maria Helena Ferraz has live recordings with Rádio Cultura in São Paulo and Globo TV in Rio. EAFIT from Colombia has released "La Nueva Música Sinfónica Colombiana," a CD of new symphonic music by 20th and 21st Centuries Colombian composers, including the piano concerto by Luis Antonio Escobar, with Maria-Helena Ferraz as piano soloist. The CD has been distributed throughout universities and libraries worldwide.
She has appeared at many International Festivals as a teacher, chamber musician, accompanist, and director assistant including the International Music Festivals of Itú, Brazil, working with world renowned maestro Eleazar de Carvalho; and the III Festival Internacional de Música en Girona, Spain, where she has taught piano studio and piano master classes as an assistant of Luiz de Moura Castro.
Maria-Helena Ferraz has given master classes in Piano Performance and workshops in Piano Pedagogy at universities and arts institutions in South America, the United States and Europe, including the very prestigious Hindemith Foundation in Switzerland. She was a faculty member of the Music School of Piracicaba, Brazil, for seven years, the University of Hartford-Hartt School, USA, for ten years, and a teacher assistant to the Piano Department of the University of Arizona, School of Music, for five years, and she is a faculty member at the Arizona Music Academy, presently. Several of her students have been prize winners in Regional and State Piano Competitions in USA and in Brazil.
Her teaching experience includes also private piano courses at all levels, music theory, solfeggio, harmony, analysis, and performance piano classes from kindergarten through Bachelor’s and Master’s degree levels, piano pedagogy classes applied for college senior performance students, pre-school through college music appreciation courses, and chamber music courses.
Maria-Helena Ferraz has also served numerous times as an adjudicator in National Competitions in Brazil and State and Regional Competitions in the USA.
She has received numerous prizes in national competitions, including first prizes in National Competitions in Brazil and at the Paranov Competition at the University of Hartford in the USA, among others. She is the recipient of numerous awards and scholarships including CAPES - Brazilian Federal Government Scholarship, the State of São Paulo Government Scholarship, the International Course of Music Interpretation Scholarship in Spain, the Courses of High Pianistic Interpretation Scholarships in Italy and in the USA, and numerous talent awards and grants as an "Advisory Board Scholar" of the University of Arizona College of Fine Arts Dean’s Fund for Excellence.
Dr. Ferraz’s major studies began at the Faculdade Mozarteum and Faculdade Paulista, Brazil, where she studied with Beatriz Balzi and Gilberto Tinetti, and graduated with B.M. degrees in Piano Performance and Musical Education. At the University of Hartford, Hartt School, she graduated with a M.M. as a scholarship student of Luiz de Moura Castro. At the University of Arizona, she graduated with D.M.A. in piano performance as a scholarship student of Nicholas Zumbro and Tannis Gibson.
She has participated regularly in master classes in Brazil, Spain, Italy and the USA with such noted artists as Lili Kraus, Moura Castro, Helena de Sá Costa, Violeta de Gainza, Thomas Mastroianni, Fernando Laires, Nelita True, Ann Schein, and Margarita Viedorova.
She has presented her Doctoral Lecture Recital with great success at the 5th Annual International Conference on Arts & Humanities in Hawaii.
Maria Helena Ferraz’s doctoral dissertation has been published by Pro Quest. It is available for purchase from Barnes & Noble and Amazon.
Maria Helena was awarded various times by the Mayor’s Office of the city of Piracicaba, through the office of Cultural Affairs, in recognition for her participation and contribution in the development of Cultural Affairs’ activities and performances in Piracicaba, Brazil.
"The piano part catches one's attention for its virtuosism which the soloist Maria Helena Ferraz interpreted with total abandonment and expertise."
"A vigorous interpretation from the Orchestra and a magnificent interpretation by the soloist Maria Helena Ferraz contributed for the great success."
Rafael Vega Bustamante El Colombiano Newspaper COLOMBIA
"The Concerto Fribourgeois was played to perfection and with mastery by Maria Helena Ferraz."
Bernard Sansonnens La Liberté Newspaper SWITZERLAND
"Maria-Helena's interpretation was superb, resolute, consistent…with high technical level perfectly balanced with a matured sensibility of the great interpreters."
Paulo Justi Piracicaba Newspaper BRAZIL
"Maria-Helena Ferraz is placed as one of the most profound and brilliant interpreters… She possesses the most prominent qualities that a great artist needs…"
Composer (cited in the New Grove
Dictionary of Music and Musicians, 2nd ed., Vol. 20, 84) BRAZIL
"…Maria-Helena Ferraz is a complete musician. She lets the music flow in a completely organic way, presenting a clear and precise speech. She moves from piano solo to piano accompaniment without ever loosing quality: simple and moving…"
TD La Liberté Newspaper SWITZERLAND
"…elegance and fluency of her [Maria Helena Ferraz’s] touch…It had beauty, poetry, charm in the expressiveness that overflows the texture of the superb masterpiece…"
José da Veiga Newspaper Diário Popular São Paulo BRAZIL
"…it was an outstanding achievement not only because of the high quality of the playing, but because of her [Maria Helena Ferraz’s] knowledge of the score made it possible for her to work so smoothly and so well with the Orchestra. "
Maestro Arthur Winograd
The Hartford Symphony Orchestra Former Music Director and Conductor USA
Suzuki Basics Approach